Apokalypsis: The End of the World
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Apocalypse Abbr. Bible The Book of Revelation.
Any of a number of anonymous Jewish or Christian texts from around the second century bc to the second century ad containing prophetic or symbolic visions, especially of the imminent destruction of the world and the salvation of the righteous. The end of the world, especially as described in one of these texts. A great catastrophe that results in widespread destruction or the collapse of civilization: "The United States was calling in air strikes and heavy armor until we had the feeling that the whole thing was going to end in apocalypse" Phillip Robertson.
Switch to new thesaurus. Four Horsemen - New Testament the four evils that will come at the end of the world: conquest rides a white horse; war a red horse; famine a black horse; plague a pale horse. New Testament - the collection of books of the Gospels, Acts of the Apostles, the Pauline and other epistles, and Revelation; composed soon after Christ's death; the second half of the Christian Bible.
The End of the World: From Apocalypse to the End of History and Back
Mentioned in? But are cataclysmic, end-time traits what apocalypticism is all about?
To answer this question, we must ponder the role of predicting the future found in the Bible. Regarding this topic, modern people may think that prophetic Biblical literature, along with apocalyptic books, contains predictions of the future. While we can see that what those prophets wrote about may have had ultimate fulfillment after their lifetimes for example, Isaiah 7 finding fulfillment in Jesus , the primary purpose of those books was to give messages of judgment and hope from God to his people Brueggemann.
Apocalyptic literature, evolving out of prophetic literature Wood and Marshall, 53—54 , continues these central themes of judgment and hope within new contexts. Although we can see how prophetic and apocalyptic scripture has been and is being fulfilled in the past and present, these works of literature first and foremost had messages to the people of that time and place. After the events of the Old Testament, there was a year gap before the events recorded in the New Testament happened.
Apokalypsis Book One
During this time, apocalyptic was a common form of literature for the Jewish people, which many of those works are not found in our Protestant Bibles, such as 4 Ezra, 1 Enoch, and Assumption of Moses. The apocalyptic books Protestant Christians are most familiar with are Daniel, written around BC and an early forerunner of the genre, and Revelation, a Christian take on the apocalyptic genre.
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Scholars and Christians have a spectrum of opinions on these elements: they were actual visions the writers had vs they are techniques the writers used to communicate a message, the numbers represent actual years vs the numbers represent symbolic time, the judgments are actual physical events vs the judgments represent spiritual truths. Putting aside the differing opinions, we should recognize that these apocalyptic elements are not just found usein scripture but are also in non-divinely-inspired literary works.
Where Daniel may allude to physical deliverance from death, Revelation embraces the essential nature of martyrdom in being a follower of Jesus. Non-canonical works tended to be pseudepigraphical, that is written anonymously under the name of a famous Jewish figure such as Ezra or Enoch.
While this is an affront to our modern notions of truthfulness, during the intertestamental period, this pseudepigraphical nature was acceptable because the well-known name brought an element of authority to the literature being written. The wild, supernatural imagery of judgments found in the genre has led to pop culture capitalizing on extreme imagery featured in end-of-the-world forms of media.
All new series: Apokalypsis | kate-morris-author
The modern use of apocalyptic elements employs the nature of shocking imagery but strips it of the message within. Apokalypsis' crowning achievement, however, is the album's penultimate track, "Pale on Pale". It's a turgid and powerful, metal-like processional fronted by lilting Gregorian-type chants that eventually turn shrill and cacophonous by the time the seven-minute track reaches its conclusion.
Its black-mass ambiance coupled with its de facto coda, the ambient howl-laden "To the Forest, Towards the Sea" is the closest that Apokalypsis comes to realizing the foreboding, frightening airs that Wolfe's image and presentation promise.
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It's also, not coincidentally, the closest that Chelsea Wolfe comes to sounding less like something else, and more like herself. Skip to content Search query All Results.